And here we have come to the finishing touch on this lovely Venetian-style gown:
All things considered, they went together pretty fast. I chose to make them out of the shiny taffeta to match the underskirt portion of the gown. The hardest part was figuring out how to orient the trim on them. Pictured above is the lower cuff; I opted to keep it plain so that it wouldn’t be potentially bulky and possibly catch on instrument strings while I played.
For the upper portion of the sleeve, I chose to use not only the matching trim to the neckline of the gown, but also some shiny black satin ribbon. It was a trick to get it all lined up and stitched into the seams before I had hand-stitched it down, but I managed! (Probably should have done that in reverse order, but whatever, haha. 😛 )
I spent a fair number of hours hand-stitching the trim down. At least, it felt like a lot…
But a few attachment points and stitches later, and we have a complete 1490s outfit, which I wore to my “bardic neo-folk” music set at the 2014 Tumbleweed Music Festival in Richland, WA.
Earlier in the month I polled my Facebook followers to see what they thought about the idea of me performing my bardic music (a collection of period tunes and original songs of folklore, myth, magic, and history) in my garb. It was an overwhelming YES, and as it turned out, wearing the gown to perform was a fantastic idea. I not only received several compliments and comments, but lots of inquiries about my performance and what I do as a musician. 🙂